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80.
Bart turned away.

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SHUSH

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Along with the stomping freak who uses the flipside of my ceiling as a floor, the folks with whom I share walls cannot tolerate silence. No, they must blast on repeat any of Billboard’s Year-End Hot 100 singles of 2000 through their respective stereo’s speakers. This, in turn, forces me to blast all of my much less popular music to drown theirs out. It becomes a vicious circle of escalating sound. And perhaps the very point of loud music is to drown out all thought, fear, and pain. These days, who can bear to sit quietly and ponder life—let alone read a book? Indeed, the folks in this city—and perhaps the folks in every city—seemingly do whatever they can to stifle the natural inclination to think. At least, that is my impression. After all, the act of thought —the very act of reflection —necessarily slows production and consumption. And we mustn’t have that, no, no. Besides, we need not contemplate our lack of fulfillment or our actual worthlessness if we are too busy playing video
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Potted

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Where I live, there’s this plant. It’s inside the house. It looks more like a small tree than your garden-variety house plant. But instead of a tree, I’m calling it a plant. Because it’s potted. And it doesn’t really have branches. So it’s more of a tree-wannabe. It “looks” out the window all day long at all the tall trees out there. And it’s envious. Or is it grateful? Whichever, this much is clear: The flora on the flip side of that window has yard-cred. And we all want cred of some kind, don’t we? ‘Cause if we’re not cred, we’re crud.  But this tree-wannabe’s always been right there, where it is, all of my life. Right there, in that pot, in that room. “The library,” Pop calls it. It’s got two shelves of books, so I guess it qualifies. Said tree-wannabe hasn’t gotten any taller; hasn’t gotten any shorter, either. Nobody ever mentions it. Pop walks into the “library” only when he’s looking for a stamp or a paperclip. He’s a paper reader. Newspapers and magazines. Books are too much of
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Use The Hole

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Nearly everywhere coffee is served in this country you’ll find what we, at Chicago Coffee Cadre #7, call a “mixing station.” I.e., a stand where a patron finds plasticware, wooden stirring rods, a variety of sweetener packets, and creamer carafes. Additionally, our mixing stations (we have two) each feature a hole, six inches in diameter. Said hole exists as the opening above a hidden receptacle. Said receptacle awaits the rubbish that results from the addition of whatever you put into your coffee.  [If this is, indeed, you, have you ever considered just how many white / brown / pink / green / yellow / powder blue paper packets of sweetener you’ve ripped open and discarded in your lifetime? What if you had to keep all of those packets with you for the rest of your days? How on Earth would you ever get by if all idiotic “single-use” things—like sweetener packets and mixing rods—were outlawed?]  Most patrons of CCC #7 understand and appreciate the function of the hole in our respective
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